Production Relics
Production Relics LLC
Authentic · Documented · From the production

Own a real piece of the worlds you love.

Real objects from the shows you love: fictional soda bottles, ID badges, flags, newspapers, currency and costumes. Each one is cataloged, credited to the department that made it, and delivered with its provenance record.

Get drop alerts For studios How the boxes work
An open black Production Relics presentation box holding an aged fork, knife and spoon with star-engraved handles in a fitted insert next to a cream relic story card, beside the closed box with its gold PR band
Title withheld · Production used · Captain's table silverware, 1912, The White Star Line

From the set to you.

I · On set

Straight from the production

II · At intake

Documented and serialized

III · In the box

Sealed and shipped

More than something on a shelf.

A relic is a way into the world of the show. Each one comes with its story, its makers and its place in the production.

A published register

Every release has a register of what was cataloged from the production. Your record shows where your relic sits in it.

Credit to the makers

Each record names the department that built, dressed or sourced the piece.

The scene-match hunt

Find your relic on screen. Screen-matched pieces carry the episode and the frame on their record.

A reveal in layers

The dossier, the story card and the authentication card come first. The relic comes last.

A record that stays with it

Tap the relic to see its provenance. The record follows the piece if it changes hands.

One production, one run

Each release comes from one season of one production. When the run is gone, the release closes.

Described by what the evidence supports.

If the production made nine of something, nine exist. The scarcity comes from the show, not from us. Every relic carries one class, and we call a piece screen used only when the record proves it.

Class A

Screen used

Documented on camera in the finished production.

Class B

Production used

Documented as used by the production, but not identified on screen.

Class C

Production made

Created for the production, with specific on-set use unconfirmed.

Class D

Production sourced

Acquired for the production and transferred to Production Relics afterward.

For studios and productions

Keep fans inside your world between seasons. You review every release before it ships.

See how it works
Production Relics LLC
The Boxes

Real objects. Documented before they leave the set.

Every release is tied to a single production. Every box holds a real object from it, packed to go straight onto a shelf, with the paperwork to prove what it is.

A worn olive drab steel helmet with a leather sweatband and canvas chin straps, photographed on grey
Title withheld · Production used · WWII US soldier helmet, 1944, Normandy, France
Inside every box

Built in layers, opened in order.

The dossier, the story, its authentication, and then the piece itself are all part of the reveal. Every relic arrives ready for display.

Exploded view of a Production Relics box: rigid outer box, vellum dossier sheet, relic story card, authentication card, redemption certificate, flocked insert, a jar of bottle caps as the relic, and a base support tray
Box anatomy design study
  1. 01
    Rigid outer boxSealed and tamper-evident, so it arrives provably unopened.
  2. 02
    Vellum dossier sheetAn archive overlay introducing the production and the release.
  3. 03
    Relic story card3 x 5. What the object is, where it lived on set, and why it exists.
  4. 04
    Authentication card3 x 5. Serial number, production, department and use class, with a QR link to the permanent record.
  5. 05
    Redemption certificate, when needed5 x 7. Only in boxes whose relic is too large or valuable to ship inside.
  6. 06
    Flocked insertCut to the object so nothing shifts in transit.
  7. 07
    The relicA genuine piece of the production.
  8. 08
    Base support trayHolds the insert and relic in place from the bottom up.

The Redemption Certificate

Some relics don't fit in a box: a costume, a sign, a piece of furniture. Those boxes hold a numbered certificate instead. Redeem it and we ship the piece to you free, fully insured, with its paperwork.

Questions

Before you open one.

Is every relic screen-used?

No, and we won't claim it is. Every relic comes from the production itself. Some were used on screen, while others were production-made, set-used, wardrobe, props, signage, paperwork, or other material created for the show. Each relic certificate states its exact production history.

What's in a box?

Real objects from one production: printed material, set dressing, props, signage and wardrobe. We publish the contents list for a release before it goes on sale. The exact relic in your box stays unknown until you open it.

Where does my relic sit in the release?

Your authentication record identifies exactly what you received, its class and where it sits in the release register. Scarcity comes from the production: if it made nine of something, nine exist.

Who made my relic?

Your record names the production department that built, dressed or sourced it. Where the production allows, we credit the makers by name.

How do I know it's authentic?

Each relic comes with Production Relics authentication and a unique digital record tied to the physical object. Tap the embedded NFC authentication to view its provenance and verify the relic.

Can I resell my relic?

Yes. It's yours. The authentication record stays connected to the relic, helping future collectors verify exactly what it is and where it came from.

How many boxes are made?

Each title has a fixed production run determined before release. Once that run is sold, no additional boxes from that release are produced.

What if my relic is too large to ship in the box?

The box holds a numbered redemption certificate. We ship the relic to you free and insured. It gets the same documented authentication and provenance record as every other relic.

Plain terms

What we commit to before any sale.

Published first

We publish the contents list for each release before it goes on sale. The list comes from an audited register of pieces in hand.

Adults only

Buyers must be 18 or older.

Free redemption

Redemption certificates ship free and insured, inside a stated window.

Yours to keep

The relic is yours. We don't buy relics back or run a cash marketplace.

No replicas

Nothing made after wrap is called a relic.

One class per relic

Every relic carries its class, A to D, on its record.

The first drop is coming.

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Production Relics LLC
Authentication

Provenance starts on set.

Anyone can print a certificate. What makes ours worth something is when the record starts: at intake, from the production, before the object ever leaves the department that used it.

Our language

We describe each relic by what the evidence supports.

Every relic is assigned one classification based on its documented production history.

Class A

Screen used

Documented on camera in the finished production.

Class B

Production used

Documented as used by the production, but not identified on screen.

Class C

Production made

Created for the production, with specific on-set use unconfirmed.

Class D

Production sourced

Acquired for the production and transferred to Production Relics afterward.

Intake recordSample · PR-000000
Production
Title, season, episode where known
Department
Props, set decoration, wardrobe, art
Description
What the object is
Acquisition
How we received it
Ownership
Studio, vendor or rented, and who holds title
Use class
Screen used, production used, made or sourced
Received
Date and production representative
Identifier
Unique serial and photographs
Assignment
Final box or redemption certificate
The provenance record

A record that outlives the first sale.

A normal certificate of authenticity is a piece of paper. Ours answers three separate questions, and each one has its own proof.

Authentic

Is this the real physical relic?

Cryptographically secure NFC authentication.

Documented

Can I trust its history?

Production records, photography and an immutable provenance record.

Secure

Can ownership and verification continue over its lifetime?

Ownership registration, transfers and verification history.

Authentic

Next-generation secure NFC authentication

Each relic carries a unique cryptographic identity that can be verified with a smartphone tap and connected to its permanent digital provenance record.

Not a sticker with a link

A basic NFC tag just stores a web address, and anyone can copy it. Ours contain a cryptographic chip that proves the tag itself is genuine.

A new answer on every tap

Each tap generates authenticated data that our server checks, so a copied tag or a shared link won't pass.

Tamper-aware packaging

Tamper-sensitive versions can detect whether a seal or package has been opened.

The chip proves it. The record remembers it.

The NFC chip authenticates the physical relic. The immutable record keeps its history. They solve two different problems.

Documented

Cryptographically secured provenance

Each Production Relic is assigned a unique digital identity linked to its production record, photography and provenance documentation.

A secure NFC tag can generate a cryptographically authenticated response on each tap, making the physical identifier substantially harder to clone than a static QR code.

The authentication record can be time-stamped and anchored to an immutable ledger, preserving a permanent record of the relic's provenance even as ownership changes.

Every verification can create a new event in the relic's history, including time, approximate location, authentication status and ownership activity where permissioned.

Key provenance events may be cryptographically time-stamped and anchored to a public blockchain, creating an independently verifiable record.

  1. Physical relic
  2. Secure NFC chipCryptographic authentication
  3. Production Relics recordPhotos · Production ID · Scene · Provenance
  4. Immutable recordTime-stamped provenance
  5. Lifetime historyVerification · Ownership · Transfer
Our commitments

We only claim what we can prove.

Every relic is described in plain terms, backed by paperwork from the production and tied to a record that stays with it for life. That trust is what makes a relic worth owning.

Production Relics LLC
For studios & productions

Keep fans inside your world, long after the episode ends.

A real object from the set gives fans a reason to rewatch, share and wait for the next release. We run the whole operation. Your team keeps making the show.

Start a conversation
Where we fit

Fans should be able to own a real piece of the worlds they love.

Studios make entertainment. Auction houses sell the rare hero pieces. Merchandise companies make replicas. We built Production Relics to cover everything in between: the real objects that made the world believable, documented and delivered with the same care.

What it does for your IP

Engagement a replica can't buy.

Deeper fandom

Owning a real piece of the show turns a viewer into a collector with a stake in the world.

Fan-made content

Every drop brings unboxings, reveal videos and screen-match hunts, made by fans, about your show.

Momentum between seasons

Drops can land around premieres, finales and anniversaries to keep a title in the conversation.

A world that feels real

In-world brands, badges and newspapers become objects fans hold, display and talk about.

Fan insight

Redemptions and tag scans show which props, fictional brands and characters fans care about most.

Brand-safe by design

Every object, use and release is approved in the agreement before anything ships.

How we protect the work

An archive, with your approval on every release.

Credit by name

Each record credits the department that made the piece, and the makers by name where you allow it.

You review every release

You see the full contents list, the packaging and the copy before anything ships.

Nothing ahead of the story

Material from a season is released only after that season airs.

Nothing made new

No replicas and no reissues. Nothing made after wrap is called a relic.

Honest classes

Production-made pieces are labeled Class C. We never call them screen used.

Light on your crew

Our team identifies, catalogs and packs. We ask your departments for hours, not weeks.

On the economics

Small revenue. Big reach.

The money from a release is modest next to a title's other lines, and we don't pretend otherwise. We fund the incremental runs and the studio participates in sales. The real return is fans who own a piece of the world and keep talking about it.

One framework, many titles

Negotiated once. Repeated with a short addendum.

The framework covers department access, incremental manufacturing, asset allocation, premium inventory, authentication support, IP approvals, the release format, resale rights, marketing and economics. Insurance, embargoes, prohibited assets and archival priority are handled up front. Each new title is then a simple addendum.

Production Relics LLC
Shop

Every drop is one production, one run, one box.

Pick a title. Every box in a release holds a real object from that production, sealed and documented. When the run is gone, the release closes.

Preview only. Titles and artwork below are placeholders, and nothing here can be purchased yet.

Production Relics LLC
Production Relics LLC logo: an art deco marquee in gold with a film camera over a chest of props
The team

An art department insider, a manufacturing veteran and a finance strategist.

Getting a relic from a set into a sealed box takes three kinds of discipline: knowing the material and where it came from, turning thousands of odd objects into a product that ships, and structuring the deal and the capital behind it.

Jane Madden
Record PR-F001
Production
Los Angeles, CA

Jane Madden

Production

Jane is a set decorator with fifteen years in film and television art departments. She worked up from set dresser through buying and shopping on shows like Westworld, Hollywood and Amsterdam, and has decorated in her own right on The Pale Blue Eye, Julia and The Muppets Mayhem.

At Production Relics

At Production Relics, Jane leads relic sourcing, curation and provenance. She knows what a production makes, who handles it and where it goes after wrap, and she has the relationships inside art departments and prop houses to get to it before it disappears.

Education
  • University of San Francisco
Selected credits
  • Set Decorator
    • The Pale Blue Eye
    • Julia
    • The Muppets Mayhem
    • Love & Gelato
    • Imperial Dreams
    • See You in Valhalla
  • Assistant Set Decorator
    • Fallout
    • Westworld
  • Set Decoration Buyer
    • The Five-Star Weekend
    • English Teacher
    • Amsterdam
    • Impeachment: American Crime Story
    • Hollywood
    • Lucy in the Sky
    • The Last Tycoon
Martin Kulli
Record PR-F002
Finance
Palos Verdes, CA

Martin Kulli

Business

Martin has spent more than twenty years structuring deals, raising capital and running the economics of complex projects in Los Angeles. He was Chief Financial Officer of Square One Residential for a decade and has been principal owner of Olten Development since 2013. Before that he managed assets for a private equity firm and was a project development and market research consultant.

At Production Relics

At Production Relics, Martin leads the financial strategy, agreements and economics behind the company. He focuses on how the deal, capital and economics fit together, building a business that can grow across productions, studios and audiences.

Education
  • MBA, Finance, USC Marshall School of Business
  • BS, Applied Mathematics, University of Rochester
Honors
  • PCBC Golden Nugget Award of Merit, 2020, for excellence in unique residential detached housing
  • Award-winning barbecue chef
    • First place, Orange County Loaf Off (Meatloaf), 2007; runner-up, 2008
    • Runner-up, PVLL Iron Chef, 2024 and 2025
William Madden
Record PR-F003
Manufacturing
Pompano Beach, FL

William Madden

Manufacturing & Logistics

Will has spent 25 years making and packaging consumer products at scale. He started in sales at Nestlé's Wonka business and managed Nestlé's North American relationship at Fonterra. He co-founded Whole Brain Consulting, which gives brands outsourced operations and a network of more than 12,000 manufacturers.

At Production Relics

At Production Relics, William brings that same discipline to a much more unusual kind of product. He leads packaging, presentation, logistics, fulfillment and manufacturing strategy, helping turn production-used objects and fictional products into collectible experiences that can be produced, protected, packed and delivered at scale.

Education
  • Management, Georgia Tech
Published
  • Separating the Con Man from the Co-Manufacturer
  • The Role of External Manufacturing in Global and Domestic Product Commercialization
  • and other books and papers
Also
Co-Founder, TAG CPG
Why this team

The hard part isn't finding props. It's everything around them.

Jane's side

Material and provenance

Which objects a production actually makes, who touches them, and what proves where a piece was used. Fifteen years inside art departments is how you know a relic's story before anyone writes it down.

Martin's side

Deals, rights and capital

Who owns a rented chair? What does a studio earn on every box? When does the cash come back? Development finance is the same work: complex ownership, approvals that gate everything, and a model that has to hold before a dollar goes out.

Will's side

Packaging and supply

A loose fork in an oversized carton is a returned box. A fitted insert, a tamper-evident seal and a display-ready package make it a collectible. Will has spent his career matching brands with the right co-manufacturers and getting product out the door at volume.

Production Relics How verification works

Authentic

Verified Production Relics recordSample

Relic
Mr. Pebbles, The First Cat in Space
ID
PR-F01-0001
Views
…
Relic details
Artifact ID
PR-FAL-S01-PST-NA-SU-001
Description
Mr. Pebbles Poster
Relic type
Paper Prop / Set Dressing
Tier
Rare
Production
Fallout, Season 1
Screen appearance
Season 1, Episode 2 · 47:44
Use class
Screen used
Department
Set Decoration
Edition
1 of 1
The relic
The Mr. Pebbles, The First Cat in Space poster in a weathered frame
Photographed at intake
The story of this relic

A hero from a history that never happened

Every wall on a Fallout set tells you something about a world that took a different road. This one gives it a national hero: a white kitten in a pressurized suit, paws on the podium, flag behind him, microphone ready. The caption keeps it simple. Mr. Pebbles, the first cat in space.

The poster hung in a cluttered workshop in Season 1, Episode 2, "The Target," pinned up at the corners among tools, notices and salvaged parts. It sits upper left in the frame while the scene plays out in front of it. You catch it for a moment. The set feels lived in because of pieces like this.

It came off that wall and into this box. The push pin holes are still in it.

Screen match
Episode frame from Season 1, Episode 2 showing the workshop set with the poster upper left
Playback: S1 E2 · 47:44
Close crop of the poster as it appears in the frame
Detail: poster in frame
  1. 01Pulled from production property department inventory.
  2. 02Matched to the episode frame by artwork, caption and mount.
  3. 03Photographed, serialized and sealed at intake.
Harvest details
Source
Production property department inventory
Location on set
Workshop set, pinned to the wall, upper left
Originating dept.
Set Decoration
Acquisition
Transferred after wrap
Condition at harvest
As removed from set. Push pin holes at corners.
Mount
Printed paper poster, push pin mount
Harvest date
To be recorded
Production rep.
To be recorded
Storage location
To be recorded
Provenance timeline
  1. On screenSeason 1, Episode 2, "The Target" · 47:44
  2. HarvestedPulled from property department inventory after wrap
  3. Intake and serializationPhotographed, matched to frame, assigned PR-F01-0001
  4. AuthenticatedCertificate issued · record time-stamped
  5. Sealed and packedRare tier · tamper-evident box
  6. First verifiedWaiting for first scan
  7. OwnershipNot yet registered
Paperwork
Certificate of Authenticity for PR-F01-0001
Certificate of Authenticity
 Relic story card for PR-F01-0001
Relic card
 The story of this relic card
Relic story
 Screen match record card
Screen match record
Verification history
  • No scans yet

Sample record. The earlier entries are illustrative. Your own visit is live, with an approximate location from your connection.

Each scan of this relic's NFC tag or QR code is logged to its record. Key provenance events may be cryptographically time-stamped and anchored to a public blockchain, creating an independently verifiable record.

Images on this site are AI generated.